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A Hard Day’s Night makes for an easy day’s watch. The musical sequences, with their innovative editing and hyperkinetic camerawork, also managed to help invent and innovate what we now know as “music videos,” too.

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The Beatles themselves might be startlingly deadpan comics (Harrison’s answer to “What’s your haircut called?” in a press conference is a line reading of the century), but the film is smart enough to contrast that energy with wild, raucous, and endearingly silly energy. The new movies and TV shows on HBO and Max in August include the second season of Winning Time, the sophomore season of Rap Sht, and a new season of Hark Knocks with the New York Jets. As they run around London from fans, to photoshoots and press conferences, and eventually to a climactic concert, Lester has tons of fun with the cinematic form. Is there a plot? It’s something like: The Beatles get through a day in the life (haw-haw) while dealing with crazy fans and Paul’s crazier grandpa ( Wilfrid Brambell, perfection). Instead, John Lennon, Paul McCartney, George Harrison, and Ringo Starr hired veteran British comedy director Richard Lester and pushed the limits of film comedy to their brinks, while still maintaining the accessible pleasures of its genre (hey, kinda like their music!). When you think about 'sexy movies,' the trilogy of Fifty Shades movies immediately come to mind.After all, the whole franchise was basically written by E.L. They could’ve phoned it in and still made a bunch of bucks. The Beatles released A Hard Day’s Night in 1964 at the peak of Beatlemania, where literally nothing they did wasn’t accompanied by a bunch of adoring fans literally screaming their praises. They’re also pretty fab at gonzo, surreal, silly screen comedy. It’s a rambling, sometimes downright cosmic, trip through the American southwest, with a superb, idiosyncratic script by Carson and the legendary Sam Shepard that is rightly regarded as one of the very best films of the 1980s. After he recovers, he makes an attempt to reconnect with his brother ( Dean Stockwell) and later his son ( Carson) and wife ( Nastassja Kinski).

Stanton plays a mute man who walks out of the desert and collapses. Dreamy and ethereal, with a distinctive score by the great Ry Cooder, Paris, Texas casts a singular spell, one that is remarkably hard to shake. Kit Carson) that is remarkably free of treacly sentimentality.

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Paris, Texas is a celebration of the American southwest made by a distinctly German auteur ( Wim Wenders) it’s a road trip movie that never hits any of the expected notes and a story about a father ( Harry Dean Stanton) attempting to reconnect with his son ( Hunter Carson, son of Karen Black and screenwriter L.M. This Palme d’Or-winning gem is an odd, beautiful mishmash.